Showing posts with label women. Show all posts
Showing posts with label women. Show all posts

Tuesday, 30 May 2017

Non-Fiction Review: Bomber Girls by M J Foreman


This was a frustrating one. I picked Bomber Girls up to learn more about the Air Transport Auxillary in Britian during WWII, where civilian pilots - both female pilots and male pilots ineligble for service - shuttled planes across the country, and sometimes to the Continent, so that they would be where the RAF needed them, when they needed them. 

With its plucky heroines battling against the Germans, their dangerous and unwieldy planes AND institutionalised prejudice, Bomber Girls had the raw ingredients of a ripper. But it wasn't, because it talks of the the women and their work in ways that are alternatingly patronising, sensationalist, and just plain dull, not to mention the dubious handling of the sexism the female pilots faced. 

It is not until 16% of the way through the book that the institutionalised sexism the women faced is directly mentioned, with the use of the words "gender bias", which is then allowed to fall by the wayside again until 39%, when the same term is used again. Here are those two excerpts: 
Whilst forbidden to go into combat, and never required to drop bombs, the 166 women of the ATA flew right through the barriers of gender bias in such a noble way they couldn’t help but play a significant role in securing Britain’s eventual superiority in the air. Thanks to the political guile of Miss Gower they were also the first collective of women to earn the same salary as their male colleagues doing the same job. (16%) 
The fact that young women like Curtis got to fly at all, and got to pilot the RAF’s biggest aircraft, remains a miracle if we consider the disconcerting whiff of gender bias around at the time. (39%)
These excerpts capture the overall tone and framing of the book pretty well, in my opinion. Both dismiss the institutionalised sexism of the time in their phrasing, thus absolving the men, instutitions and hierarchies who did their utmost to prevent the creation of the female branch of the ATA, and, once it was created, to place as many roadblocks in their way as possible. In the first, Pauline Gower's relentless campaign for the inclusion of female pilots in the ATA, and, thereafter, for better working conditions for them, is dismissed as 'political guile'. Although this is perhaps not the most overt example, this is part of a broader pattern of presenting the female ATA pilots not as pilots, but as women (or 'girls' as Foreman often writes), 'socialites' or dilettantes. (I consider 'guile' here to be gendered language, because I cannot imagine that a man, in a comparative situation, would have a word with such a negative connotation attached to his behaviour, instead of a neutral one like 'skillful'). The use of the word 'miracle' in the second example is again agency-robbing and makes the institutionalised sexism perpetrator-less crime.

It's actually quite impressive the lengths to which Foreman has gone to avoid tackling the sexism systematically. One has to read between the lines in a lot of places to understand the links between what is being relayed and the instense misogyny the women faced. Similarly, stories from the women themselves that make the sexism overt are treated as humourous anecdotes.

There is also a distinction in the way the female and male pilots are characterised. The female pilots come off as glib and vain, and are frequently saved by the actions of their male counterparts, who are presented as skilful and heroic. I have no doubt that many of the female pilots were glib and concerned with their outward appearance, as these are both mechanisms through which they could manage the sexism with which they were faced. But that doesn't excuse the way these narratives - which were also used by the media and other sources to paint the women as dilettantes - are reproduced in a 21st Century text.

Foreman does make some genuine attempts to tackle the subject of sexism, just as there are stories that do not fit the pattern I've described above. However, in both cases, the instances to the contrary greatly outweigh those that do fit into these discourses, and are consistent enough to cancel out any such attempts. 

Bomber Girls initally caught my interest because last year I read His Very Own Girl by Carrie Lofty, in which the heroine is an ATA pilot. Ultimately, I think that His Very Own Girl succeeds where Bomber Girls fails, as it shows the sexism of the time and the every day life of the female ATA pilots in excellent detail, as well as having a satisfying central romance. 

Wednesday, 13 January 2016

Opinion: Race, Gender and the Cologne New Year's Eve Attacks

When I decided to take a white-saviour volunteer position as a boarding mistress and teacher in an Indian school at the grand old age of eighteen, I experienced a variety of reactions from family, friends and complete strangers. However, two months before I left, when the Delhi gang rape and subsequent protests hit headlines across the world, that all changed. The nigh universal response became: “Have you really thought this through? Do you really want to be a single woman on your own in India?” The company that had facilitated my placement even sent a carefully-worded email essentially offering me the chance to renege. The collective anxiety was contagious, and I started to wonder if they were right.

The internet, however, was quick reassure me: the stats that were being quoted were not indicative of the ‘rape crisis’ the media were reporting, but of more women (and men) feeling they were able to report sexual assault. In fact, the widespread sense of outrage made it seem like it might be safer to go to India now than in any time in recent history. People’s blindfolds had come off, and they weren’t willing to be passive about the problem any longer.

Today, we are seeing a similar sense of outrage over the mass sexual assaults that occurred on New Year’s Eve in Cologne, but whereas Indian society stared into its soul and came away with conclusions about the way it treats women, Germany is coming to conclusions about race and immigration. It’s hardly surprising that the attacks – with their North African and Arab suspects – have become a flashpoint for these issues, given that their multi-kulti policies and openness towards asylum-seekers have been causing spiralling angst and concern about retaining German culture (Heimatkultur) in the face of unprecedented immigration.

However, the focus on race detaches the Cologne attacks from what they actually were: sexual assault against women. Instead of recognising that we still have problems with the way women are treated in supposedly egalitarian Western countries, it becomes a matter of us and them: they treat women like this, but we do not. It’s a national exercise in cognitive dissonance that prevents any awareness of institutionalised sexism and violence against women, and reduces blame to individuals of other races.

But, if it’s them and not us, then why is does my office building have codes on the doors to the women’s bathrooms, but not the men’s? Why do my male friends have to step in to deter unwelcome advances after my own refusals are ignored? Why is it standard practice for women text each other after a night out to confirm they’ve all got home safely and without incident?

If it can’t possibly be us, then why were the police so vastly unhelpful and dismissive that night, apparently telling one woman who had been stripped of her clothes and underwear to “keep a good grip on your champagne bottle to use as a weapon”? Why did an initial report filed by the police in Cologne record a “mostly peaceful New Year’s Eve” that was “relaxed” in atmosphere?

The answer to all those questions is that, as Western countries, we are still far from perfect at ensuring that women are treated as worthy of respect, and violence against them – whether sexual or otherwise – is taken as seriously as other crimes. At the end of the day, whether the attacks in Cologne were perpetrated by them is irrelevant, because they’re definitely a result of us and the way we see women
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