Review: Sugar Pie Guy by Tabitha True

3 stars

For ages, I've been going between 3 and 3.5 stars on Sugar Pie Guy. It gets full marks for the concept and some aspects of the execution, while other - particularly the insta-love and some of the writing - didn't work so well for me. 

It's set in 1977 suburban Cleveland, where a small, run-down strip mall serves as the centre of the local community. Roberta "Bobbie" Bell's aunt owns a business there, and Bobbie and her friends decide to hold some discos for some good, clean fun, and to help Bobbie's aunt out of some financial difficulties. But when Randy is sent to Cleveland to realise his father's ambitions of turning the mall into something more profitable, the community must rally. Even though Bobbie and Randy are on opposite sides of this fight, they're drawn to each other, and soon Randy's not sure if selling the mall is the best idea after all. 

The romance between Bobbie and Randy developed quite fast, and I found it hard to accept that they could fall in love so quickly, especially given that they are on opposite sides of the campaign to save the mall, and would be entering into a potentially fraught interracial romance (as you can see on the cover, Bobbie is African-American, while Randy is white, of Italian extraction).  

Admittedly, the latter does give Bobbie pause, and constitutes part of the continued awareness of race throughout the book. I thought this was handled sensitively, reflecting both the progress made in the decade since the Civil Rights Movement ended, and the entrenched bigotry that remained. 

The American disco scene is not exactly my area of expertise, but my understanding is that it - like many cultural phenomena - arose from the marginalised African-American, gay and Latino communities, and I was pleased to see that reflected in Sugar Pie Guy. It is together with her cousin Luke, and his DJ partner, Sal, that Bobbie starts the disco, which is always intended to be a safe space for everyone: 

“Vel [the owner of the space where the disco is being held] knows that this is probably going to be a mixed straight and gay crowd, right?”    

“Right.  He doesn’t care. He says he saw everything there is to see during the war.”  Propping her chin on her hand, she warned Luke about the house rules for a private party at the Donuteria.  “No booze, no drugs, no nudity, no public sex…”  (14%)

The distinction between their "safe, suburban disco" (23%) and other, wilder ones is something that I found particularly interesting because of similar cultural phenomena in Australia and New Zealand, from the Blue Light Discos that my parents attended and that are still a fixture for young people in some communities, to the locally renowned "Lav" dances I went to in Sydney as a young teen. 

The 70s setting was expressed in campy dialogue and writing that - to me, as a modern reader - mostly hit a good level of 'cheesily fun'. Sometimes, however, I found myself rolling my eyes, particularly at the flowery, heavily euphemistic way the sex scenes are written. Bobbie and Randy's repeated use of the endearment 'baby' also got old, but I think has to do with my distaste for that particular pet name than anything else.

But, overall, I enjoyed the way Sugar Pie Guy brought both the carefree attitudes and more serious aspects of the 70s to life. It was a novel read, and I'd recommend it for anyone who - like me - is always looking for 'outside-the-box' historicals. I think there's a lot of untapped potential for romances set in the second half of the 20th Century in a variety of setting, and I hope to see more authors taking advantage of this in the future. 

Review: Frosty Relations by Tara Quan

4.5 stars 

Frosty Relations was so, so short, and yet it was the most well-rounded and enjoyable paranormal novella I have read in a long time. 

On Christmas Eve, HR assistant and supernatural familiar Mina Mao is sent on a blind date-slash-one night stand, only to find that her date is no other than Jack Frost, her boss and oldest family friend. 

In Jack, Quan managed a jackass hero whose behaviour I bought, but whom I didn't hate (although that's not true of his appearance in the preceding novella Flirting with Fire, when he came across as a Grade-A dick). He's a warlock, and warlocks can't properly contain and channel their power without a familiar. Mina's dad had long been Jack's father's familiar, and she was expected to take over that role for Jack, only it never happened. Nevertheless, she's ended up working for the Frosts anyway, and Jack's behaviour is simply him trying to draw her attention. A wee bit more redemption on Jack's part wouldn't have gone astray, neither would have some indication of how he and Mina would function as a couple, but we all also know novellas take no prisoners. 

Both Mina and Jack were very witty, and their shared history, which informs much of their present interactions, was sweet and poignant. Given its length, the backstory is remarkably nuanced, as is the worldbuilding surrounding magic. There's also just the right balance of story and page-turning sexytimes, which is something I often find skewed in paranormal novellas. 

Quan has found a really great formula, and she uses it to effect here and in the other stories in the series (though this one is definitely my standout).  I look more to reading more from her. 

Review: Flower in the Desert by Lavender Parker

4 stars 

In Flower in the Desert, tracker Jason Rivers is called in by the Feds to find a woman 'lost' in the Grand Canyon. He's done it many times before, but this time he feels a connection to the headshot he's given. The woman staring back at him - Ruby Lucas - is vibrant and beautiful, and a mother of two small children besides.  Intellectually, Jason knows she's probably dead, but he refuses to accept it. And when he finds Ruby still alive and fighting, he's determined to keep her that way, to get her out and back to her stable life as a lawyer and mother. What he's certainly not going to do is get involved with someone in such a vulnerable position, especially when he's pretty sure that her soon-to-be ex-husband left her out in the desert to die. Nor is he going to be her rebound from the murderous jerk, which means there is really no place for him in Ruby's life at all.

Jase and Ruby were both really fleshed-out characters, whose interactions were cute, touching and humorous, but what makes Lavender Parker's characters extra-refreshing is that they are both People of Colour. Jase is part Native American, having learnt his tracking skills from his Hopi grandfather, and Ruby is African-American (don't let the Eurasian cover model fool you). And guess what, publishers? Last I checked, the sky hadn't fallen in and there were no reviews on Amazon or Goodreads complaining that the characters were unrelatable because of their ethnicities. In fact, race is pretty much a non-issue in Flower in the Desert.  It is matter-of-factly mentioned when Jason first sees Ruby's photo that it's of an African-American woman, and his Native American ancestry is only brought up once or twice when relevant.

Although it was advertised as a novella, Flower in the Desert has the feel of a full-length novel, thanks to Parker's simple yet effective plot and understated characterisation, which made it engaging and different read. The second half was not as gripping as the first, but that's fair enough - it's hard to replicate the intensity of struggling to survive in a hostile environment.

However, I did have some quibbles with the HEA, as it touches upon one of my pet romance novel peeves. It really bugs me when children are integral to a storyline or character's life, but the reader is left to deduce their fate because they are not mentioned in the HEA. For example, the last we heard of Ruby's son, he was unsurprisingly having major problems with the fact his mum nearly died and people were telling him his father was responsible. This got to me, and I had to imagine a sequel where Ruby and Jase chipped away at Brandon's sullen and resentful pre-teen exterior to find the boy they knew and loved in his heart of hearts. I'm pathetic, I know, and I'm sure everyone without closure problems will find Flower in the Desert to be a fulfilling read in all aspects!

Review: Captive Bride by Bonnie Dee

3 stars

Captive Bride by Bonnie Dee is a short and sweet historical romance set in San Fransisco in 1870.  Huiann was given away by her parents in China, with the expectation that she would be taken to America and marry a wealthy Chinese-American businessman.  But after a long steamship trip, she  quickly realises their naivety. She is not to be a wife, but a whore. When Huiann escapes from the luxurious brothel where is imprisoned, she is taken in by Alan, a local shopkeeper. Despite their lack of a common language, he offers her a position as his housekeeper and they build a relationship.  

I did enjoy Captive Bride, but I couldn't help but feel that it never really achieved its potential. It was largely memorable for its setting.  Having the two protagonists not being able to communicate in a shared language is always tricky, but I felt like the relationship between Alan and Huiann was rushed, and neither's characterisation was as strong as I would have liked. To me, this kept it in the realm of 'good' rather than 'excellent'. I also have some doubts about Huiann's protrayal, which I can't really put into words.

While I may have my doubts about the central relationship, the setting of the novel was deftly drawn and made for fascinating reading; I found the author's note that outlined the context of Chinese-American relations in this time to be one of the book's most interesting parts.