Best Reads of 2017: Part 1

It's almost the end of January, and - after a long, stressful end to the year on the academic front - I've finally got my ass into gear to publish my Best Reads. In 2016, I set this post up as my 5 best reviewed reads, 5 best un-reviewed reads and 5 best not published in 2016. Given the marked lack of reviewing in 2017 comparative with 2016, I was unable to do the same this time around. Instead, I've just chosen my best 15 books of the year.

As always, narrowing a year's reading to a handful of books is extremely difficult. I chose the featured books not just because they were outstanding, extremely enjoyable books, but also because they stuck in my mind for some reason. This may be originality or uniqueness of concept, outstanding execution and exquisite worldbuilding and/or characterisation. It is almost always a combination of all of the above, sometimes also accompanied by a sense that a book I loved hadn't been given its due when it came out, or in the end of year Round-Ups. 

So, without further ado, I present you with my 15 Best Reads of 2017. (This post was initially just the first half, but then I never got around to doing my second post, so I edited this one and collated them into one...in August).

1. The Future Chosen by Mina V. Esguerra
(m/f NA romance in fictionalised setting)

Technically, I'm cheating on this one: it was published in the last few days of 2016, but I couldn't bear to leave it off. It's the romance between two young political hopefuls in a fictional country where only one person from each 'family' is allowed to enter the public service, meaning that - in order to have a relationship - one of them would have to bow out of political life. When I reviewed it back in February, I called it "suspenseful and sweet and clever and just so good". To that, I would add, 'extremely feminist' and 'a nuanced portrayal of oligarchy and elitism'. 


2. Peter Darling by Austin Chant 
(m/m fantasy romance with trans MC)

This queer Peter Pan retelling was everything I never knew I needed. When he can no longer bear his life as Wendy Darling in the real world, Peter Pan flees back to his childhood refuge of Neverland, only to find that Captain Hook now inspires an entirely different set of feelings. The initially immature Peter and ennui-stricken Hook offset each other perfectly in a unique rendering of the enemies-to-lovers trope. Chant's Neverland is reminiscent of old Grimm fairytales, both in the trials and suffering the characters must face, and in the sense of hope and possibility offered by a world unfettered by mundane laws and boundaries. 

3. Pretty Face by Lucy Parker 
(m/f contemporary romance)

Parker's second foray into the London theatre world was just as thrilling and fulfilling as her first, the much-lauded Act Like It. I'm a sucker for characters snarking at one another to hide their attraction, and Pretty Face has that in spades, along with a heroine fighting against being pigeon-holed as a sexpot, a grumpy theatre director and an age-gap trope. 

4. Tempting Hymn by Jennifer Hallock 
(m/f historical romance)

The poignant and sweet romance between a missionary workman and a fallen Filipina nurse during American colonial rule in the Philippines, Tempting Hymn was another early-year review before I got dragged down into a vortex by university work. The heroine's story - that of being seduced, bearing an illegitimate child and trying to build a better life for herself and her child after being ostracised - is one of eternal relevance, as is Hallock's exploration of the differences between preaching the tenets of a faith, and living them. 


5. An Extraordinary Union by Alyssa Cole 
(m/f historical romance)

I'm not alone in thinking that this was one of the most outstanding contributions of 2017. The story of Elle, a freedwoman who goes undercover as a slave in the South to spy for the Union during the Civil War, has garnered a lot of praise both inside and outside Romancelandia. That's how it should be, because it's an exquisitely crafted story with so much to say about relationships, race, gender, history and society. 

6. Beauty Like The Night by Joanna Bourne 
(m/f historical romance)

With her lyrical writing style, strong sense of historical place and continually strong central romances, it's hard to imagine Bourne releasing a book that isn't an instant favourite. In my opinion, the Spymasters series is unparalleled in its depictions of self-sufficient, strong heroines and the men who respect them, and - after following Sevie since her infancy - it was wonderful to see this youngest member of the Meeks Street family come into her own and meet her match. 

7. Small Change by Roan Parrish 
(m/f contemporary romance with bi MC)

In the last few months, Romancelandia has started talking about the "Cinnamon Roll hero", a term that calls up the caring and soft hero without implying he is anything less for his lack of alpha-ness. The hero of Small Change, Christopher, is - in my opinion - a total CinRo hero. He owns a sandwich shop, through which he meets Ginger, a prickly bisexual Jewish tattoo artist. Ginger and Christopher's two-steps-forward, one-step-back dynamic - in which Christopher shoulders most of the emotional labour as he attempts to sort through Ginger's relationship hang-ups - was unlike any other portrayal I'd ever read. I umm-ed and ahh-ed about including it because its nothing flashy, but in some ways it deserves its place here even more so for just being a quiet, emotional romance that so beautifully undercuts our cultural narratives about unlovable women and emotionally aloof men. 


8. The Truth of Things by Tasha L. Harrison

(m/f contemporary romance)

If I had to sum up The Truth of Things in one word, it would be 'powerful'. The central romance is between a cop struggling with the racism of his department and a photographer who finds herself the target of that racist brutality. To be honest, I can't really find too many more adjectives to describe it, because it was so many things at once. Just go read it. 

9. A Taste of Honey by Rose Lerner
(m/f historical romance)

Lerner's Lively St. Lemenston series is continually outstanding, and this novella in particular was a breath of fresh air. About a hesitant baker hero and his assertive and ambitious assistant, it's dirty, sweet and showcases the historical realities of the British working and artisan classes. 

10. An Unsuitable Heir by K. J. Charles

(m/non-binary historical romance)

Like Lerner, Charles is an auto-buy author for me, and this conclusion to her 'Sins of the Cities' series didn't disappoint. As always, both the mystery plot and the romance are beautifully crafted, and anyone who says that a non-binary main character is too 'modern' or 'ideological' can bog right off. Pen was gorgeous, and Mark so bloody sweet.

11. Hamilton's Battalion by Rose Lerner, Courtney Milan and Alyssa Cole

(m/f, m/m & f/f historical romances)

Not being American or particularly into musicals (with the exceptions of a few classics that I grew up with), the whole Hamilton thing has mostly passed me by. But that didn't mean that I couldn't enjoy these novellas set around Hamilton and the Revolutionary War. They were all gems, but my favourite was undoubtedly Rose Lerner's story of a cross-dressing female soldier who accidently comes into her husband, who believes her dead.

12. A Midnight Feast by Emma Barry and Genevieve Turner

(m/f historical romance)

Throughout this series, set around a fictionalised version of the Space Race, readers have seen the dire state of astronaut Mitch Dunsford and his wife Maggie's marriage. This poignant novella is their second chance romance, and watching them try to untangle their misunderstandings and communication break-downs and work out where to go from here is both heart-breaking and heartening, if that makes any sense. 

13. Wrong to Need You by Alisha Rai

(m/f contemporary romance)

Wrong To Need You was another popular favourite this year, and it's not hard to see why. Angsty forbiddden romance, long-time love...this hit all my buttons. 


14. Dance with Me by Alexis Daria

(m/f contemporary romance)

Alexis Daria's 2017 debut Take the Lead and the follow-up, Dance With Me, were strong contenders for the Best of list. In the end, I went with Dance With Me because I am a total sucker for Russian-speaking heroes and prickly heroines, not to mention women who are going to do this damn thing all by themselves, thank you very much. 

15. The Boys Next Door by Miranda Silver

(m/f/m erotica)

The Boys Next Door is probably my favourite erotica of all time. Eminently relatable characters, a solid plot, plus an off-the-scales heat rating. 

Review: The Pauper Prince and the Eucalyptus Jinn by Usman T Malik

5 stars

The Pauper Prince and the Eucalyptus Jinn was a hauntingly beautiful speculative fiction short story. It's not a romance, although it does include two love stories; one has a HEA, and one does not. 

It starts with Salman Ali Zaidi, a young boy in America, whose grandfather tells him stories of the pauper princess he knew during his youth in Lahore, Pakistan. A descendant of the last Mughal Emperor, Zeenat Begum ran a small tea stall. She told people that a jinn had protected her royal ancestors, and now watched over her from the Eucalyptus tree that shaded her little stall. 

After Sal grows up, he discovers evidence in his deceased grandfather's possessions that his family have a much greater link to the Mughal princess than his grandfather ever let on. He travels to Pakistan for the first time to investigate and is caught up in the same eternal and otherworldly mystery his grandfather had stumbled upon half a century before. 

The Pauper Prince and the Eucalyptus Jinn drew in ontology of the creation of human and jinn, and philoshopy about myth and history. From reading Goodreads reviews, I gather the philosophy was a turn-off for some people, but as Sal's grandfather told him as a boy, "all good stories leave questions". Just as with much speculative fiction, especially the shorter formats, I don't feel like one is meant to get bogged down in the hows and the whys of it all. I certainly felt like everything was explained, in a lyrical way that befitted the story, and that nothing got overly complicated, unless you were trying to connect every dot. And this was the thing - the reader couldn't connect every dot, because Sal didn't even have that ability, and he was the narrator. 

Sal's voice - and the writing in general - was so lyrical and strong, and Malik has woven so many different things into such a short story and made them fit together seamlessly. It shouldn't have worked, but it does. However, if I was to critique the story for anything - and it's a such a very small thing, hardly worth bringing up  - it would be the story's reliance on a unbroken male line for five generations, given that the whole story hinged on a Mughal princess. 

Review: The Terracotta Bride by Zen Cho

4.5 stars

The Terracotta Bride is a short story set in the Chinese Underworld. Siew Tsin was just a young woman when she got hit by a motor car and wound up in the tenth court of hell. There she finds a great uncle, who promptly sells her into marriage. Her husband Jungshen is a rich man, with pious descendents who burn money and goods so that he can live well in the Underworld. One day, Jungshen brings home another wife, a terracotta woman whom he names Yonghua, and she changes everything for Siew Tsin. 

This isn't a romance, though it does have some f/f romantic aspects. The writing is lyrical, Siew Tsin's characterisation was lovely and those two things make The Terracotta Bride poignant as hell (pun not intended). The worldbuilding is also amazing, and I would auto-buy any more stories Cho wrote in the same universe. It's a short story, so this is a short review, but, basically, I loved it.