Showing posts with label Washington DC. Show all posts
Showing posts with label Washington DC. Show all posts

Wednesday, 10 February 2016

Review: Frosty Relations by Tara Quan

4.5 stars 

Frosty Relations was so, so short, and yet it was the most well-rounded and enjoyable paranormal novella I have read in a long time. 

On Christmas Eve, HR assistant and supernatural familiar Mina Mao is sent on a blind date-slash-one night stand, only to find that her date is no other than Jack Frost, her boss and oldest family friend. 

In Jack, Quan managed a jackass hero whose behaviour I bought, but whom I didn't hate (although that's not true of his appearance in the preceding novella Flirting with Fire, when he came across as a Grade-A dick). He's a warlock, and warlocks can't properly contain and channel their power without a familiar. Mina's dad had long been Jack's father's familiar, and she was expected to take over that role for Jack, only it never happened. Nevertheless, she's ended up working for the Frosts anyway, and Jack's behaviour is simply him trying to draw her attention. A wee bit more redemption on Jack's part wouldn't have gone astray, neither would have some indication of how he and Mina would function as a couple, but we all also know novellas take no prisoners. 

Both Mina and Jack were very witty, and their shared history, which informs much of their present interactions, was sweet and poignant. Given its length, the backstory is remarkably nuanced, as is the worldbuilding surrounding magic. There's also just the right balance of story and page-turning sexytimes, which is something I often find skewed in paranormal novellas. 

Quan has found a really great formula, and she uses it to effect here and in the other stories in the series (though this one is definitely my standout).  I look more to reading more from her. 

Saturday, 29 August 2015

Review: Special Interests by Emma Barry

4.5 stars

Normally, the taglines on romance novels are one of my least favourite parts of Romancelandia - they're either overblown, twee, misleading or play into stereotypes about the genre (on some memorable occasions, they manage to be all at once). But the one for Emma Barry's Special Interests is an example of what happens when taglines go right:



In fact, Special Interests as a whole is an example of what happens when things go right. We open in Washington D.C. some time after union organiser Millie Frank was involved in a hostage situation.  In retrospect, it's farcical, given the hostage-taker was wearing a chicken costume and only had a fake gun, but that doesn't mean she's not having a hard time getting over it. Especially since she's now a household name in DC. When she bumps into Parker Beckett - literally - she's so sick of all the attention that she uncharacteristically asks him home with her. She's mortified when he declines, but the two of them just keep crossing paths; budget negotiations are in full swing and Millie's trying to get Parker's Democrat Senator boss not to throw the working class under a bus by giving into the Republicans' proposed budget compromises. As for Parker, he's finding it hard to maintain a moral compass, and harder still to ignore an idealistic union representative who still uses the term 'working people' unironically and suffers from night terrors.

If Special Interests has a theme, it's balancing idealism and cynicism. Both Millie and Parker have long since realised that working in D.C. is not all it's cracked up to be, but they've dealt with this realisation in different ways; Millie's clung to her faith in organised labour as a cure to the ills of the political system, while Parker's become jaded and fatalistic. As characters, they are almost unparalleled. At the outset, Millie comes across as whiny and slightly irrational, but that's fair enough given the whole hostage thing. It also led to some good tension with Parker, who, in Millie's words, was "conceited, presumptuous and paternal". Barry skillfully peels back layer after layer from two seemingly self-absorbed characters, revealing them to be extremely complex and allowing them to evolve as each challenges the others' worldview. 

And the plot, as I mentioned, is about US politics budget negotiations, which perennially pop up in the news but that I've never really understood before now. So, if you have an interest in American politics, but don't want to follow the primaries too closely lest Donald Trump makes you lose faith in humanity, try Special Interests!
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